PAOLO Riversi believes that ‘photography is the revelation of another dimension’. His skills at devising a myriad of shots over decades is celebrated during an exhibition in Milan today.
“I am not interested in the everyday or the commonplace. They carry no emotions for me,” Roversi ‘master of the dreamy, the fantastic and the ethereal,’ tells The Business of Fashion.
“Paolo Roversi, Stories” is the main exhibition in the stunning Appartamenti del Principe on the top floor of Milan’s Palazzo Reale for the Vogue Photo Festival, curated by Alessia Glaviano, current photo editor of Italian Vogue
Among the intricate tapestries, gilded stuccoes and marble floors, are photographic selections, including a full series of unpublished portraits of Rihanna, outtakes from an album cover shoot.
Whether the styling is eclectic, decadent, or divine the focus is always the face.
If for Fashion or the Music industry Roversi wants each carefully crafted image to tell a story.
“It is about fantasy, fabric, invention. In order to work, however, a fashion photograph must function in two ways: it has to be the portrait of a woman wearing a dress, but also the portrait of a dress worn by a woman.”
Vivienne Westwood interpreting her own creations, discussing her own work, explains, “The silhouette looks like an ant on stilts, the head comes out looking more important, and with the shoes, forming a pedestal to give particular power and expression to the most erotic part of the person, the face.”
The Fashion geniuses Roversi and Westwood are artists who pay homage to the Renaissance painters whose portraits make up the stories of earlier lives, loves and eternal emotions.